Full Band Setup
Stage Plot
Input List
| Input | Source | Notes |
|---|---|---|
| 1 | Kick | |
| 2 | Snare | |
| 3 | Hi-hat | |
| 4 | Rack Tom | |
| 5 | Floor Tom | |
| 6 | Ride | |
| 7 | Bass | D.I. pedal (provided by band) |
| 8 | Open | Available for your added mics |
| 9 | Guitar, Kemper (left) | Direct stereo; no amp on stage |
| 10 | Guitar, Kemper (right) | Direct stereo |
| 11 | Vocal (Jon) | Wireless SM-58 (provided by band) |
| 12 | Vocal (Kellan) | Wireless SM-58 (provided by band) |
| 13 | Open | Available for your added mics |
| 14 | Open | Available for your added mics |
| 15 | Tracks, iPad 1 (Jon) | D.I. box |
| 16 | Tracks, iPad 2 (Kellan) | D.I. box |
For engineers: Drums and bass are yours to mic however you like; channels 1-7 are just where we’ve labeled them to land. Channels 8, 13, and 14 are open for up to three added mics. We ask that every line patch through our stage rack: we hand you a 16-channel transformer-isolated split, and we multitrack every show from our side, so only lines that pass through our rack make the recording. Phantom power comes from our console.
Acoustic Setup
Stage Plot
Input List
| Input | Source | Notes |
|---|---|---|
| 1 | Cajon | Audix ADX-60 (provided by band, phantom power) |
| 2 | Guitar, Kemper (left) | Direct stereo; no amp on stage |
| 3 | Guitar, Kemper (right) | Direct stereo |
| 4 | Vocal (Jon) | Wireless SM-58 (provided by band) |
| 5 | Vocal (Kellan) | Wireless SM-58 (provided by band) |
For engineers: Same arrangement as the full band setup: these five lines come off our transformer-isolated split, and we multitrack every show from our side, so we ask that everything patch through our rack rather than straight to your console. Phantom for the cajon mic comes from us.